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The Similarities And Differences Between The Wolf Of Wall Street And Goodfellas

Isn’t it a pleasure to see Martin Scorsese igniting controversy again? The Wolf of Wall Street has inspired some lively debates over its morality, its depiction of women, its glorification of greed and corruption, and its unfettered vulgarity. It had almost seemed as though the director had either veered into safe territory with a family-friendly film like Hugo (over which the closest thing to controversy was Scorsese’s decision to make it in 3D) or had established himself as enough of a credible artist that his work would be met with only fawning enthusiasm, a result of earned respect that can sometimes move filmmakers beyond the reach of criticism.
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[h2]2) First person, fourth-wall-breaking narration[/h2]

The Wolf of Wall Street

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Many who would have seen Goodfellas before The Wolf of Wall Street were likely taken aback for a moment the first time Leonardo DiCaprio directly addresses the camera, met with the sudden realization “Oh, Marty’s doing this again.” Ray Liotta’s narration is such a defining feature of Goodfellas that any film that uses direct address is likely to draw the comparison.

It’s not just a vague similarity either; Hill’s famous line, “As far back as I can remember, I always wanted to be a gangster,” is almost quoted by Belfort’s narration early in the film, although his effect is more like “As far back as I can remember, I always wanted to be rich.”

Dreaming of being a gangster is perhaps too specific and outdated a notion for those wishing to chase the American Dream in the 80s and 90s through to today. But the striking, deliberate similarities also suggest that anyone who has the dream of old mobsters trying to get rich by any means necessary in contemporary America need only go to Wall Street to make their dream a reality. Casting stockbrokers as modern-day gangsters and thugs is a pretty bold assertion.

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