3) True Grit
As far as I’m concerned, the Coen brothers can do whatever the hell they want. They’ve earned it. Granted, I can understand why there would be some trepidation at the prospect of a new remake of True Grit when their previous attempt at a remake was The Ladykillers. It’s also somewhat understandable that there would be skepticism around the project given that the 1969 John Wayne version of the story was well regarded.
What’s interesting about this example is that the film turned out to be a success in terms of its quality and critical reception, but also is the Coens’ biggest box office draw to date. This doesn’t seem like a coincidence. There’s something to be said for the attraction of a familiar story told in a contemporary way for a modern culture by skilled filmmakers, which is why I’ll reiterate my main point of this whole thing: any remake (or reboot or sequel) is far more dependent on the quality of its creators than the fact that its source has been previously visited. Familiar stories have always been a source of inspiration and further creation by storytellers—that’s one of the pleasures of hearing something told afresh, not unlike hearing a really good cover version of a song.
Another example of less of a prestige picture but a well done remake nonetheless is Craig Brewer’s Footloose from 2011. The original is outstanding, and the remake is equally terrific, in different, more contemporary ways, but went under-appreciated for its lack of perceived “necessity.”
