Catwoman

10 Terrible Comic Book Adaptations We’d Like To Forget

The past couple of years sure have been a doozy for comic book fans. Thanks to a series of extremely profitable adaptations, Hollywood has become increasingly more interested in adapting our favorite heroes and villains to the big screen. Due to the narrative, characterization, oft-stylized aesthetic and inclusion of triple-A stars, comic book films have become the prototypical blockbuster, frequently becoming some of the highest grossing releases in history.

1) Iron Fist (2017)

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Marvel has been working tirelessly to continue its cross integration. With four series already on Netflix and an additional one on its way, the studio’s jumping head first into the world of television adaptations. The Marvel universe has been giving its lesser known stars like Luke Cage and Jessica Jones the opportunity to shine on the small screen and it’s here on the streaming platform that they’ve been able to find a nascent – and equally profitable – home.

The last piece to that diegetic puzzle is the inclusion of Iron Fist. It was the final series to be showcased before Marvel launches their seeming flagship crossover miniseries The Defenders, but unfortunately, it didn’t pan out the way in which the comic book creators had no doubt hoped it would. Many of the industry’s most respected publications (particularly when it comes to television reviews) trashed the series for being unoriginal, frustrating and racially insensitive. To some critics, this may have been the beginning of the end of Marvel’s dominance in mass media.

But despite the less-than-favorable critical appraisal, the series was still quite a success with audiences, having the second highest launch viewings of any Marvel Netflix show. It was also the most binge-watched premiere for the streaming service in 2017. Therefore, it isn’t a surprise that Netflix is slated to pick up the show for a second season. Let’s just hope they’re able to improve upon where Iron Fist went wrong the first time around.


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Author
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]