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Catwoman

10 Terrible Comic Book Adaptations We’d Like To Forget

The past couple of years sure have been a doozy for comic book fans. Thanks to a series of extremely profitable adaptations, Hollywood has become increasingly more interested in adapting our favorite heroes and villains to the big screen. Due to the narrative, characterization, oft-stylized aesthetic and inclusion of triple-A stars, comic book films have become the prototypical blockbuster, frequently becoming some of the highest grossing releases in history.
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3) Captain America (1990)

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Comic Book

Before Marvel and DC began investing billions of dollars into superhero films, few studios believed comic books had the potential to draw large audiences. Up until that point, most superhero lore was to be found on television, where shows like the Lou Ferrigno starring The Incredible Hulk and the campy Adam West-led Batman thrived.

Therefore, it was not a surprise that many of the comic book film adaptations came out low-budget, hackneyed, uninspired, poorly produced and embarrassingly inept. And few other movies typify this sort of approach more brazenly than Albert Pyun’s schlocky Captain America. Whether it was the horrendous acting, poor dialogue or maladroit editing, this 1990 stinker was made with the jaw-dropping high budget of $10 million.

Perhaps the director and/or producers pocketed some of that, because it certainly seems like almost none of the money actually made it to the film’s production or marketing. Having been released direct-to-video, it came as no surprise that the flick made a little over $10,000 back. Coupled with the universal panning from critics, Captain America stands as one of the most atrocious attempts at making a comic book film to date.


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Author
Image of Riyad Mammadyarov
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]