Catwoman

10 Terrible Comic Book Adaptations We’d Like To Forget

The past couple of years sure have been a doozy for comic book fans. Thanks to a series of extremely profitable adaptations, Hollywood has become increasingly more interested in adapting our favorite heroes and villains to the big screen. Due to the narrative, characterization, oft-stylized aesthetic and inclusion of triple-A stars, comic book films have become the prototypical blockbuster, frequently becoming some of the highest grossing releases in history.

5) The Green Hornet (2011)

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When hearing that funnyman Seth Rogen would be the star of a comic book movie, one would imagine it would be a fun romper of a film, containing both a healthy injection of humor along with awe-inspiring visuals and heroism. Instead, viewers and critics were subjected to a muddled attempt at a movie that was poorly edited from start to finish, seldom containing any of the charming qualities of Rogen’s Apatow-inspired persona.

And while the film had a great box office run – making a cool $228 million on a budget of $120 million – it was disparaged by critics who called it lazy, boring, unfunny and poorly cast. It was even stranger that Oscar-winner Michel Gondry – who’s primarily known for his quirky indie movies that play with visual narrative and the incorporation of misé-en-scene – would be selected as the director.

Further still, with a screenplay penned by Rogen and Evan Goldberg (who had previously collaborated on the runaway hits Superbad and Pineapple Express) and the casting of Christoph Waltz as the villain (who was fresh off of his Oscar-winning performance in Inglorious Basterds), it seemed that all the pieces of the puzzle had fallen in place for The Green Hornet. Unfortunately, it appeared as though none of the success and skills that were demonstrated by the cast and crew of the previous films they were involved in translated to this project, making for a poor re-imagination of a beloved character.


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Author
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]