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Catwoman

10 Terrible Comic Book Adaptations We’d Like To Forget

The past couple of years sure have been a doozy for comic book fans. Thanks to a series of extremely profitable adaptations, Hollywood has become increasingly more interested in adapting our favorite heroes and villains to the big screen. Due to the narrative, characterization, oft-stylized aesthetic and inclusion of triple-A stars, comic book films have become the prototypical blockbuster, frequently becoming some of the highest grossing releases in history.
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6) Batman Forever (1995)

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No comic book adaptation flop list would be complete without the inclusion of Joel Schumacher’s awful Batman Forever. While a huge box office success (the film was the sixth-largest grossing movie of the year), Batman Forever was an ill-conceived response to the overly dark and twisted diegetic world of Burton’s Batman efforts. Whether it’s the overly campy visualizations or the bizarrely boring and affectless action sequences, Schumacher’s rather half-baked revision to the gloomy Batman blockbusters of yore came off more like an amusement park ride than any serious attempt at constructing a believable lore.

It seems even more bizarre that with such a mixed response, it was nominated for three Academy Awards. In their review of the film, famed critics Gene Siskel and Roger Ebert gave it a thumbs up and a thumbs down, respectively. Ebert conceded that even though he did not find it enjoyable, he did recognize that “it’s great bubblegum for the eyes.”

Unfortunately, that didn’t stop the movie from being recognized years later as one of the more bizarre and asinine additions to the Batman universe. Sure, it may have been conceived for child-consumption with its bright colors, campy villains and simplistic dialogue, but if Pixar films have taught us anything, it’s that children’s movies need not be a snooze-fest for adults. Regrettably, Batman Forever proved to be just that.


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Author
Image of Riyad Mammadyarov
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]