10 Terrible Comic Book Adaptations We'd Like To Forget – Page 8 of 10 – We Got This Covered - Part 8
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10 Terrible Comic Book Adaptations We’d Like To Forget

The past couple of years sure have been a doozy for comic book fans. Thanks to a series of extremely profitable adaptations, Hollywood has become increasingly more interested in adapting our favorite heroes and villains to the big screen. Due to the narrative, characterization, oft-stylized aesthetic and inclusion of triple-A stars, comic book films have become the prototypical blockbuster, frequently becoming some of the highest grossing releases in history.
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7) Batman & Robin (1997)

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While Schumacher’s first attempt at breaking into the Batman lore was a mediocre outing filled with poor set designs, lazy acting and bizarre costume choices (hard, protruding, rubber nipples? Really?), it’s indeed Batman & Robin that hammered the last nail in the coffin for his future blockbuster endeavors. Perhaps that’s why Batman Forever is even included on this list, as Batman & Robin was such an atrocious outing that it tarnished perceptions for a film that came out two years prior and was in the same narrative and stylistic canon.

What Batman Forever did badly, Batman & Robin magnified to a nauseating degree. Whether it’s the perennial Batman casting shake-ups or the oft-cringe inducing puns by Schwarzenegger as Mr. Freeze, Batman & Robin is simply a terrible film. A horrific exercise in lacking patience from Warner Bros., the project was rushed through production so as to cash in on the previous movie’s financial success and cultural relevancy.

Even worse, executives at the studio were so impressed with the dailies that they commissioned the director for a third film. But critical derision and lacklustre commercial returns all but ensured that this be Schumacher’s last Batman outing, leaving him to return to his minimalist roots with stellar works like Phone Booth.


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Author
Image of Riyad Mammadyarov
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]