10 Reasons Why Lana Del Rey's Ultraviolence Is Already The Album of the Year - Part 10
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10 Reasons Why Lana Del Rey’s Ultraviolence Is Already The Album of the Year

On June 13th, Lana Del Rey released her third studio album, titled Ultraviolence. The controversial singer captured the US number one slot for the first time in the record's opening week, despite not performing on American TV in over two years and only conducting a handful of print interviews. Ultraviolence sold 182,000 copies in its first seven days alone, marking a career-best sales week for Del Rey and worldwide, the album sold 880,000 copies, debuting at number one in twelve countries. Furthermore, the release of Ultraviolence marked the largest sales week for a female artist since Beyonce's self-titled album sold 310,000 copies in its third week back in December 2013.
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2) Ultraviolence Marks Del Rey As An Important Songwriter

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The depravity of American culture has always been the key focus of Del Rey’s work, and while the songs on Ultraviolence continue to include her trademark obsession with money and bad boys, the artist’s songwriting skills have evolved in tandem with the music itself.

Every song on the album contains powerful imagery which heightens the melodramatic content of the stories Del Rey tells. By investing every lyric with cinematic levels of excess, the listener becomes drawn into the tale of Del Rey as a character, one who cannot help but be drawn to flawed, abusive men. There are points where Del Rey almost dares you to dislike her, but there’s something appealing in that honesty which demands we invest emotionally in the artifice of her character.

Del Rey cleverly keeps the spotlight on her central character at all times, relegating these hateful men to the shadows, so the impact of the devastation is honed to an uncomfortable degree for the listener. Ultraviolence is a more mature and nuanced exploration of heartbreak than any of Del Rey’s previous work and as a songwriter, she has never been better.


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