10 Reasons Why Lana Del Rey's Ultraviolence Is Already The Album of the Year - Part 4
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
Category:
Featured Content
Music

10 Reasons Why Lana Del Rey’s Ultraviolence Is Already The Album of the Year

On June 13th, Lana Del Rey released her third studio album, titled Ultraviolence. The controversial singer captured the US number one slot for the first time in the record's opening week, despite not performing on American TV in over two years and only conducting a handful of print interviews. Ultraviolence sold 182,000 copies in its first seven days alone, marking a career-best sales week for Del Rey and worldwide, the album sold 880,000 copies, debuting at number one in twelve countries. Furthermore, the release of Ultraviolence marked the largest sales week for a female artist since Beyonce's self-titled album sold 310,000 copies in its third week back in December 2013.
Image of David Opie
David Opie
|

Published: Sep 15, 2014 08:51 pm

This article is over 11 years old and may contain outdated information

8) Ultraviolence Is The Best That Del Rey Has Ever Sounded

Recommended Videos

lana-singing

Del Rey has been criticized in the past for some weak public performances, but whether you think she can sing live or not, it’s impossible to deny that her voice sounds exceptional on this record.

Previous albums utilized the more commercial aspects of her voice, but with new-found confidence, Del Rey showcases a different side to her sound, one which may surprise even her most dedicated fans. The singer transforms from track to track, effortlessly veering from the shivering soprano of West Coast and the tender fragility of Is This Happiness? to the piercing highs of Money Power Glory, all the while retaining the sensual vulnerability that has become Del Rey’s signature over the course of three album releases.

The big soaring melodies of Ultraviolence reveal a surprisingly powerful voice that finds the beauty in every lyric, swooping between notes in a way that remains entirely unique to Del Rey.

We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
More Stories To Read
Related Content
Related Content
Related Content
Author
Image of David Opie
David Opie
twitter