We're less than one week away from the release of Hawkeye on Disney Plus, which is coming sandwiched in between Eternals and Spider-Man: No Way Home, as the Marvel Cinematic Universe makes up for lost time after enduring a barren 2020.
On the surface, you can't draw many comparisons between Paramount's family-friendly adventure Clifford the Big Red Dog and Netflix's action blockbuster Red Notice, other than the fact they've both got the same color in the title.
Zack Snyder probably doesn't bat an eyelid when he discovers he's trending on Twitter, such is the regularity with which it happens. Strangely, it tends to have nothing to do with his upcoming slate of Netflix projects, with #RestoreTheSnyderVerse supporters continuing to cling onto the past.
Freddie Mercury biopic Bohemian Rhapsody was an absolute monster when it hit theaters in November 2018, going on to earn $911 million at the box office to become not just the highest-grossing musical ever made, but the top-earning straightforward drama in the history of cinema.
George Lucas actively regrets the infamous Star Wars Holiday Special, to the extent that he's never made it available to either rent, purchase or stream in any official capacity, but that hasn't stopped fans the world over from revisiting it on an annual basis via a grainy bootleg copy.
Marvel Cinematic Universe fans were sent into raptures when the first trailer for Disney Plus series Hawkeye dropped a couple of months back, and not just because it was the first time they'd seen footage from the Christmastime romp that partners Jeremy Renner's world-weary Clint Barton up with Hailee Steinfeld's exuberant protege Kate Bishop.
Having made his triumphant and scene-stealing return to the Marvel Cinematic Universe in WandaVision, there's been widespread hope that Randall Park may end up getting his own Disney Plus spinoff series, which could even team him up with Kat Dennings' Darcy Lewis in a superhero version of The X-Files.
A mega budget action franchise that lost its grip on reality, logic, common sense and physics a decade ago isn't typically what you'd consider an awards season contender, but let's not forget that there are plenty of other trophies out there not decided upon by a committee of snobbish elites.
The Power of the Dog director Jane Campion became the latest high-profile filmmaker to pile onto the superhero genre, revealing that she actively dislikes them. Her comments came hot on the heels of Ridley Scott succinctly describing comic book adaptations as "f*cking boring as sh*t", putting them firmly into the Martin Scorsese and Francis Ford Coppola camp.